The Eye: a Natural History

 

This is a book about the nature of the eye. It is about all the eyes that are, and ever have been, and may yet be. It is about how we see the world, and how other eyes see it. It is about what happens to the world when it is looked at, and about what happens to us when we look at each other. It is about evolution, chemistry, optics, colour, psychology, anthropology, and consciousness. It is about what we know, and it is also about how we came to know it. So this is also a book about personal ambition, folly, failure, confusion, and language.

You can buy The Eye: A Natural History at Amazon.co.uk

Amazon.com has the American edition, A Natural History of Seeing

Read more about this book.

UK: Bloomsbury. 1st hardback edition, March 2007
UK: Bloomsbury. Paperback, January 2008
Germany: Hoffman und Campe, April 2008
USA: Norton, October 2008
Italy: Einaudi, October 2008
Japan: Hayakawa, 2008
Portugal: Aletheia, 2008

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The Weight of Numbers


On July 21, 1969 two astronauts set foot on the moon; far below, in ravaged Mozambique, a young revolutionary is murdered by a package bomb.

Strung like webs between these two unconnected events are three lives: Anthony Burden, a mathematical genius destroyed by the beauty of numbers; Saul Cogan, transformed from prankster idealist to trafficker in the poor and dispossessed; and Stacey Chavez, ex-teenage celebrity and mediocre performance artist, hungry for fame and starved of love. All are haunted by Nick Jinks, a man who sows disaster wherever he goes. As a grid of connections emerges between a dusty philosophical society in London and an African revolution, between international container shipping and celebrity-hosted exposés on the problems of the Third World, The Weight of Numbers sends the spectres of the baby boom’s liberal revolutions floating into the unreal estate of globalization and media overload—

You can pick up a paperback of The Weight of Numbers at Amazon.co.uk. Anyone who wants the first edition can fill their boots here.  And there’ll be a Kindle version along in a little while.

Read more about this book

UK: Atlantic. 1st hardback edition, March 2006 
Canada: HarperCollins, July 2006 
UK: Atlantic.Paperback, September 2006
United States: Black Cat, January 2007 
Italy: Il Saggiatore, February 2007 
Germany: Manhattan, April 2007 
Greece: Malliaris, 2007 
France: Editions du Panama; Portugal: Leya, September 2008 
Russia: AST, 2008 
Spain: Bibliópolis, 2008
Czech Republic: Lidove Noviny 
Turkey: Everest Publishing 

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City of the Iron Fish

My less-than-widely-read second novel, written in a brothel in Oporto, on the run from my reputation as a cyberpunk writer.

The following review appears on Novel Reflections http://www.novelreflections.com/reviews/simon-ings/city-of-the-iron-fish

The City is isolated. There is some land around the city, but beyond that there is nothing. Every twenty years the city performs the ceremony of the iron fish and things are changed. Years ago, whole sections of the city moved and were rearranged, new animals, new places arrived through the magic of the ceremony. But over time people have lost interest in it, and lost the rites and rituals to make the magic work.

Thomas Kemp grows up in the shadow of the ceremony and his father’s obsession with it. By the time the ceremony comes around again, he is one of the few who remembers or cares enough about it to begin preparations. ‘Simon Ings has created a strange world here, and one that has no explanation. Some of the inhabitants search for meaning, debate whether there is an outside world that their myths of jungles and oceans derive from. One of these is Kemp’s friend Blythe, an artist. Together they travel to find the edge of their world, and discover nothingness. Their journey changes them both in different ways. Blythe reacts to her experience by creating bleak and frightening work, while Kemp becomes an artist himself.

In a closed environment, what would happen to the people who live there? Their hopes and dreams, their need for freedom and new experiences? This is a place where all forms of artistic expression feed on each other and the past, constantly repeating and vainly striving.

I found this to be a deeply strange book, and I was impressed that the author did not try to explain the existence of the city, and the magic of the fish. Somehow it all worked better to read of Kemp’s life as he lived it, without knowing these things, and stumbling along in this strange world without a map. His passions, confusion, pain and everyday life are laid out to see, and even an evening’s drunken debauch has a ring of truth to it that is very appealing.’

First published in 1994 by Collins. ISBN: 0006476538
(Rautakalan Kaupunki 2005, Loki Kirjat, Finland, 952-9646-05-4)

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Painkillers


I remember them. Their mouths, and their needles. That is all. That, and their painted eyes. Their mouths. They never spoke… So begins Adam’s odyssey into a nightmare of corruption and violence, where it is only his forlorn hope that he is helping his autistic son Justin that offers any solace. As everything implodes around him, Adam risks everything – his marriage, his family, his life – to lay hands on the one thing that might save him. His way out. His grail. A small bakelite box with a dial.

A grim, gripping and unrelenting tale in which a neat and happy ending is simply not an option.
IRISH INDEPENDENT

Cinematically graphic yet deeply literate, Painkillersoffers a chilling ride into a hell both individual and universal. 
ASIMOV’S

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An interview with Liz Jensen

Liz Jensen dropped into Arc’s offices to discuss her new book The Uninvited, an accessible and very frightening vision of ecological and political crisis.

“I thought about John Wyndham a lot,” she says, “and the ways he found to tell a complex, global story from a single, intimate point of view.” The result is chilling. Across the world, children are killing their families. The experts say it’s an isolated incident – and they’re wrong.

An interview with M John Harrison

Mike Harrison, whose story In Autotelia appeared in the inaugural issue of Arc, reveals his love of science, takes a wry view of the human project, and looks back on his ten-year effort to give science fiction its long-overdue Saturday night.

And here he discusses In Autotelia: “There’s more crammed into those 4000 words than there is crammed into the entire Light trilogy,” he says. “The fewer words you use, the more you can stuff in, which is why poetry is so good, and so hard to unpick.”