{"id":3158,"date":"2020-07-15T15:34:36","date_gmt":"2020-07-15T15:34:36","guid":{"rendered":"http:\/\/www.simonings.net\/?p=3158"},"modified":"2020-08-05T15:43:36","modified_gmt":"2020-08-05T15:43:36","slug":"a-shockingly-dirty-idea","status":"publish","type":"post","link":"http:\/\/www.simonings.net\/?p=3158","title":{"rendered":"A shockingly dirty idea"},"content":{"rendered":"<p><a href=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-3159\" src=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web-580x387.jpg\" alt=\"\" width=\"580\" height=\"387\" srcset=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web-580x387.jpg 580w, http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web-768x512.jpg 768w, http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web-450x300.jpg 450w, http:\/\/www.simonings.net\/wp-content\/uploads\/2020\/08\/brave-new-world_credit-steve-schofield_peacock_web.jpg 778w\" sizes=\"(max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.newscientist.com\/article\/mg24732920-300-brave-new-world-review-dystopian-tv-without-lessons-for-today\/\">Watching UCP\/Amblin&#8217;s production of\u00a0Brave New World for New Scientist, 15 July 2020<\/a><\/p>\n<p>THE 20th century produced two great British dystopias. The more famous one is 1984, George Orwell\u2019s tale of a world unified into a handful of warring blocs run by dictators.<\/p>\n<p>The other, Brave New World, was written in the space between world wars by the young satirist Aldous Huxley. It had started out as a send-up of H. G. Wells\u2019s utopian works \u2013 novels such as Men Like Gods (1923), for instance. Then Huxley visited the US, and what he made of society there \u2013 brash, colourful, shallow and self-obsessed \u2013 set the engines of his imagination speeding.<\/p>\n<p>The book is Huxley\u2019s idea of what would happen if the 1930s were to run on forever. Embracing peace and order after the bloody chaos of the first world war, people have used technology to radically simplify their society. Humans are born in factories, designed to fit one of five predestined roles. Epsilons, plied with chemical treatments and deprived of oxygen before birth, perform menial functions. Alphas, meanwhile, run the world.<\/p>\n<p>In 1984, everyone is expected to obey the system; in Brave New World, everyone has too much at stake in the system to want to break it. Consumption is pleasurable, addictive and a duty. Want is a thing of the past and abstinence isn\u2019t an option. The family \u2013 that eternal thorn in the side of totalitarian states \u2013 has been discarded, and with it all intimacy and affection. In fact, no distinct human emotion has escaped this world\u2019s smiley-faced onslaught of \u201csoma\u201d (a recreational drug), consumerism and pornography. There is no jealousy here, no rage, no sadness.<\/p>\n<p>The cracks only show if you aspire to better things. Yearn to be more than you already are, and you won\u2019t get very far. In creating a society without want, the Alphas have made a world without hope.<\/p>\n<p>Huxley\u2019s dystopia has now made it to the small screen. Or the broad strokes have, at least. In the series, Alden Ehrenreich \u2013 best known for taking up the mantle of Han Solo in Solo: A Star Wars story \u2013 plays John. Labelled a \u201csavage\u201d for living outside the walls of the World State, he encounters the Alpha Bernard Marx (Harry Lloyd) and Lenina Crowne (Jessica Brown Findlay), his Beta pal.<\/p>\n<p>Bernard and Lenina are vacationing in Savage Lands, a theme park modelled a little too closely on Westworld in which people act out the supposedly sinful values of the old order for the entertainment of tourists. It is while they settle into their hotel room at the park that Lenina and Bernard suddenly realise they want to be alone together \u2013 a shockingly dirty idea in a world that has outlawed monogamy and marriage \u2013 and that \u201cit could be our wedding night\u201d.<\/p>\n<p>\u201cIn Huxley\u2019s book, characters were given a hard choice between freedom and happiness\u201d<\/p>\n<p>\u201cWe\u2019re savages,\u201d gasps Lenina, as it dawns on the two what they actually want. It is a scene so highly charged and sympathetically played that you only wish the rest of the show had lived up to it. The problem with Brave New World is that it is trying to be Huxley\u2019s future in some scenes and trying to be our future in others. The two do not mix well.<\/p>\n<p>Some of Huxley\u2019s ideas about the future loom over us still. The potential eugenic applications of CRISPR gene editing keep many a medical ethicist awake at night. In other respects, however, Huxley\u2019s dystopia has been superseded by new threats. Artificial intelligence is changing our relationship with expertise, so who needs human Alphas? At the other end of the social scale, Epsilons would struggle to find anything to do in today\u2019s automated factories.<\/p>\n<p>Squeezed by our technology into middle-ranking roles (in Huxley\u2019s book, we would be Betas and Gammas), we aren\u2019t nearly as homogenous and pliable as Huxley imagined we would be. Information technology has facilitated, rather than dampened, our innate tribalism. The difference between the haves and have-nots in our society is infocentric rather than genetic.<\/p>\n<p>In Huxley\u2019s book, the lands left for those deemed savages featured an unreconstructed humanity full of violence and sorrow. Characters were given a hard choice between freedom and happiness. None of that toughness makes it to the screen. At least, not yet.<\/p>\n<p>The TV series is a weirdly weightless offering: a dystopia without lessons for the present day. It is as consumable and addictive as a capsule of soma, but no more nutritious.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watching UCP\/Amblin&#8217;s production of\u00a0Brave New World for New Scientist, 15 July 2020 THE 20th century produced two great British dystopias. The more famous one is 1984, George Orwell\u2019s tale of a world unified into a handful of warring blocs run &hellip; <a href=\"http:\/\/www.simonings.net\/?p=3158\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78,620],"tags":[833,834,173,232,636],"class_list":["post-3158","post","type-post","status-publish","format-standard","hentry","category-reviews-and-opinion","category-screen","tag-aldous-huxley","tag-book-to-screen","tag-dystopia","tag-new-scientist","tag-tv"],"_links":{"self":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/3158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3158"}],"version-history":[{"count":2,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/3158\/revisions"}],"predecessor-version":[{"id":3164,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/3158\/revisions\/3164"}],"wp:attachment":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3158"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}