{"id":4102,"date":"2025-06-18T07:51:37","date_gmt":"2025-06-18T07:51:37","guid":{"rendered":"http:\/\/www.simonings.net\/?p=4102"},"modified":"2025-06-28T09:09:13","modified_gmt":"2025-06-28T09:09:13","slug":"the-twist-is-that-there-is-no-twist","status":"publish","type":"post","link":"http:\/\/www.simonings.net\/?p=4102","title":{"rendered":"The twist is, there is no twist"},"content":{"rendered":"<p><a href=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494.webp\"><img decoding=\"async\" class=\"alignnone size-full wp-image-4103\" src=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494.webp\" alt=\"\" width=\"1350\" height=\"900\" srcset=\"http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494.webp 1350w, http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494-580x387.webp 580w, http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494-940x627.webp 940w, http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494-768x512.webp 768w, http:\/\/www.simonings.net\/wp-content\/uploads\/2025\/06\/SEI_255957494-450x300.webp 450w\" sizes=\"(max-width: 1350px) 100vw, 1350px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.newscientist.com\/article\/2484894-danny-boyles-long-awaited-zombie-sequel-28-years-later-is-a-triumph\/\">Watching Danny Boyle&#8217;s 28 Years Later for New Scientist, 18 June 2025<\/a><\/p>\n<p>Here\u2019s a bit of screenplay advice to nail above the desk: make your plots simple and your characters complicated.<\/p>\n<p>We can polish off the story of 28 Years Later in a couple of paragraphs. It\u2019s the late-coming third instalment in a series that began in 2002, with 28 Days Later. A lab-grown neurotoxic virus has spread uncontrollable, orgiastic rage across continental Europe. The infection is eventually quarantined to mainland Britain. International fleets ensure that no-one leaves Blighty.<\/p>\n<p>Twelve-year-old Spike (Alfie Williams, a relative newcomer and definitely a face to follow) lives in the relative safety of a small northern island, connected to the mainland by a causeway passable only at low tide. At twelve years old (rather young for the task, but his dad reckons he\u2019s ready) Spike leaves for the mainland to be blooded. Amid trackless forests (perhaps not quite trackless enough after 28 years; otherwise the film\u2019s mis-en-scene is superb and chilling) Spike kills a very slow zombie, misses a blisteringly fast one, and generally gives a good account of himself.<\/p>\n<p>But it sits ill with Spike, once he\u2019s home, to be cheered as a hero by all these drunken villagers, even as his mother lies bedridden with a mysterious illness, and his father Jamie (Aaron Taylor-Johnson) seeks distraction with another woman. So Spike sneaks his mum (Jodie Comer) off the island and sets out with her in search of the only doctor he\u2019s ever heard of &#8212; a painted lunatic who spends his days in the woods burning corpses.<\/p>\n<p>The twist\u2014and let\u2019s face it, you\u2019re agog for the twist\u2014is that there is no twist. Having established the rules of this world in 2002\u2019s 28 Days Later, writer Alex Garland has simply and wonderfully stuck to his guns. There are flourishes: a vanishingly small number of zombies have survived the initial viral outbreak to breed and become an almost-viable competitor species. Some of them now grow very big indeed, thanks to the \u201csteroid-like\u201d effects of the original infection. But these aren\u2019t new attractions so much as patches and fixes, and they\u2019re delivered very much in the make-and-mend-and-keep-going spirit that hangs over Spike\u2019s doughty little island village.<\/p>\n<p>Nothing is quite as it seems &#8212; when is it ever? &#8212; and every once in a while, Boyle mischievously intercuts Laurence Olivier\u2019s Henry V with Great War newsreel and 28 Weeks Later zombie outbreak footage to imply a deeper, darker significance to the village\u2019s homespun defence league and its culling expeditions. There are nods to folk horror, to Apocalypse Now, to Aliens 3 and to Predator. But this is not a tricksy movie, and its intent is clear: in this world so long steeped in horror, there\u2019s going to be this human story, about loss and disillusion, about growing up and growing apart, about when to stand with others, and when to stand alone, and all conveyed through the credible words and reasonable actions of largely unexceptional human beings. The budget is modest (somewhere between $60 and 75 million). The casting is meticulous (see how Christopher Fulford plays Spike\u2019s grandfather with an effortless friendliness that all the while implies some harrowing backstory). And don\u2019t get me wrong: 28 Years Later is full of invention, laden with fan-pleasing call-backs and cineastic cap-tugging. But never once does it cheat. There\u2019s not a single fatuous macguffin pulling us through. No dumb quest. No magical grail. No grand unmasking. Only the feeling spilling from Alfie Williams\u2019s eyes as young Spike learns, line by line and scene by scene, what he must acquire, and what he must let go, if he\u2019s to be a man in this world.<\/p>\n<p>All credit to Days, whose fast and furious \u201cinfected\u201d shocked and delighted us all in 2002; all credit, too, to 2007\u2019s oddly overlooked Weeks, an ingenious sequel and quite as good an expansion on its original as Aliens was to Alien. But Years carries the crown, at least for now (there\u2019s a second instalment coming).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watching Danny Boyle&#8217;s 28 Years Later for New Scientist, 18 June 2025 Here\u2019s a bit of screenplay advice to nail above the desk: make your plots simple and your characters complicated. We can polish off the story of 28 Years &hellip; <a href=\"http:\/\/www.simonings.net\/?p=4102\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78,620],"tags":[943,1218,1217,1216],"class_list":["post-4102","post","type-post","status-publish","format-standard","hentry","category-reviews-and-opinion","category-screen","tag-apocalypse","tag-sequels","tag-sf","tag-zombies"],"_links":{"self":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/4102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4102"}],"version-history":[{"count":2,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/4102\/revisions"}],"predecessor-version":[{"id":4108,"href":"http:\/\/www.simonings.net\/index.php?rest_route=\/wp\/v2\/posts\/4102\/revisions\/4108"}],"wp:attachment":[{"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4102"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.simonings.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}