“One cannot fail to overcome the brutality of blind chance”

Reading David Flusfeder’s Luck for New Scientist, 6 April 2022 

The Russian novelist Fyodor Doystoyevsky was a gambling addict. He believed, if he could only maintain his composure, the various strategies and “systems” he dreamt up to beat the roulette wheel would one day pay off. But no strategy can game pure chance.

David Flusfeder’s book is not about randomness, or statistics, or the behaviour of numbers. It is, quite specifically, about luck, defined as “the operations of chance taken personally.” Flusfeder is a semi-professional poker player, and knows whereof he speaks.

His eccentric, insightful meditations focus on Fortune’s favourites and its gulls — from the Marquis de Dangeau, 18th-century Versailles’ wiliest card shark, to Thomas Bastard, Oxford University’s most comprehensively shunned epigrammatist. Weaving backwards and forwards through western history, Flusfeder encounters more familiar figures too, from Ludwig Wittgenstein to Niels Bohr to four-times lottery winner Joan Ginther, “the luckiest woman on Earth”.

In an effort to stop his project sprawling, Flusfeder has given its structure over to chance. The 14 essays here are largely self-contained, and they have to be, since they’re presented in an order determined by an on-line randomiser.

Doystoyevsky’s experience predominates. Even after he managed to cure himself of his addiction, the novelist retained the conviction “that in games of chance, if one has perfect control of one’s will, so that the subtlety of one’s intelligence and one’s power of calculation are preserved, one cannot fail to overcome the brutality of blind chance and to win.”

Flusfeder reckons poor Fyodor was born in the wrong place; he should have been playing poker with French settlers in New Orleans, for the card game they invented in 1829 really does reward composure, and nerve, as well as luck.

Not that poker is an altogether rational pursuit. If it were, then Flusfeder would not be wearing green underpants to every important game. Superstition abounds on the poker circuit, as it does wherever people wield little or no control over their lives. Professional tennis, where “there is so much time to think, and doubt, and lose the learned rhythms of technique, and to be afraid”, is awash with fetishes, tics, and absurd pre-match “routines”.

Superstition, according to Flusfeder, is not some primitive psychic excrescence that can be discarded. It’s merely the florid expression of heuristic thinking, without which we wouldn’t be able to function at all. We don’t constantly re-evaluate the world. We make reasonable assumptions about how it works, and we rely on those assumptions. We develop habits. We conjure up a deterministic world in which what happened yesterday reliably guides our actions tomorrow.

All Nature is but Art, unknown to thee;
All Chance, Direction, which thou canst not see;
All Discord, Harmony not understood.

This attitude, caught so superbly by the poet Alexander Pope, works well enough for day-to-day life, but trouble attends our efforts to institutionalise such thinking. Swathes of economic practice, and not a little theory, are predicated on this nonsense — the idea that past results are a guide to future performance.

Statistician David Spiegelhalter, who studies the public perception of risk, is blunt about this: probability does not exist outside the mind, he says: “It is not an objective aspect of the world. It’s a way to operationalise a belief.” At best it’s the map for a territory that, being unbounded, is immeasurable and unknowable.

Vulnerable to the vagaries of chance, how should we conduct ourselves?

Rather than cower timidly, avoiding all randomness, we might develop prudence, seizing opportunities while sidestepping unnecessary risks. Still, against the vicissitudes of fortune, prudence is a thin shield indeed.

Virtue may be our better armour. A life lived with honesty and integrity will at least feel consistent, whether we are suffering adversity or enjoying good fortune.

Or as the early renaissance poet Petrarch put it, “Many times whom fortune has made bond, virtue has made free.”