I’ve been helping out a team from Leiden and Erasmus universities who are exploring the role of the gallery and museum, drawing on the practices involved when exhibition-makers bring new media technology to bear on visitor engagement, participation and (especially) co-creation.
There’s an official webpage coming, but in the meantime, here’s a bit of mischief I’m planning with New Scientist and SCI FI LONDON in a corner of the British Film Institute on the afternoon of Saturday 30 May.
We’ll Eventbrite all this to get an idea of numbers but it’s free — drop in, heckle, throw peanuts, and above all buy me beer afterwards..
The wildest and most outlandish stories are slipping through the screens, cabinets and wall-spaces of our most treasured institutions and into the streets and squares of the real world.
Kicked off with a keynote by multi-award winning science fiction writer Alastair Reynolds, this packed afternoon of short films and discussions explores how stories, games and falsehoods are guiding us towards an uncertain tomorrow.
Curators Robert Devcic and Doug Millard lead us through a bizarre world of unreal exhibits — objects and films and documents that purport to be from future times and unreal places. These mock-ups are meant to entertain, baffle and provoke us — but what happens when we can no longer tell the difference between them and the real thing?
In the company of Pat Kane, Meg Jayanth and Shrinking Space we explore the fun and games to be had in making up and playing the future. Can we ever ready ourselves for the unexpected? And might the games we play now lead us into making the wrong choices in the future?
Interspersed with short films, video art and live readings, New Scientist‘s afternoon at Sci Fi London will take science fiction off the screen and jam it under your skin.